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Entries in nautical (14)


The Accidental Sailor

Ahoy! Rosebud – a self-confessed and impartial poly-shopper drawn to anything sparkly – tells us how on this warm day at the end of March she managed to go nautical quite without intending too.

How did you put this outfit together Rosebud?

I wanted to wear the skirt as it was new, and I simply chose items that matched. However, I particularly wanted to avoid it looking like a school skirt, especially since it’s navy – the tee made it more casual. The nautical look was completely inadvertent.

Well the nautical flavour really works. I love pleated skirts too and am always keeping my weather eye out for them. I love how the horizontal stripes of your tee contrast with the vertical pleats. Where did you find your skirt?

I was killing time one night in the city before meeting friends for dinner, and I wandered into Zara to browse. I’ve been looking for a pleated skirt for a while when that one caught my eye. I wanted something in between matronly and schoolgirl, but that can all depend on the styling. The skirt wasn’t on sale, and it was almost sold-out so I snapped it up!

We at SNAP heartily approve of snapping it up. Can you tell us about the rest of your outfit?

The tee is from specialty t-shirt store Graniph – my brother bought it for me in Japan. The ankle boots are from Witchery. They weren’t on sale either.

That sure is a statement necklace. You have a pretty collection of rings on your fingers too.

The necklace was a 21st birthday present from a neighbour from when I was growing up – I used to baby-sit their kids. I’m also wearing three rings. The blue stone ring and the amethyst were both given to me by my mum and dad. The blue ring was a good luck present before I did my Year 12 exams (a few years ago now), and they bought the amethyst ring on a trip to India. I bought the silver and diamond ring in New York. My watch was a present for my sixteenth birthday – I think it is by an Israeli designer.

That’s a lovely collection of presents to mark some special times in your life … Earlier you mentioned that you bought a couple of these dress items at full price. You aren’t a bargain-hunter?

Not especially. I don’t really have the patience for it. Although recently I did chance on a bargain at Laura Ashley. It was a tuxedo jacket that had been reduced four times, from $280 down to $60. It wasn’t really in the usual Laura Ashley style, so perhaps it just didn’t appeal to their regular customers.

Do you shop online?

No – I much prefer brick-and-mortar stores. I like to go in and browse – I’m not a target-shopper at all. Often it’s just when I have some spare time to kill.

Where are your favourite places to shop?

I really like Alpha 60, although I don’t actually own much by them. I find the style doesn’t suit me, but I admire their aesthetic – the shapes, the simple, good fabrics. I also like to look regularly in Gorman, TopShop, Arabella Ramsay (which is now called Ryder), Uniqlo – that’s been mainly overseas – Sportsgirl, Sussan’s, and also department stores such as Target, Myer, David Jones … Really, I’ll shop anywhere and everywhere. I’m not snobby about labels or branding per se.

I’m drawn to sequins (anything shiny!), sparkles, patterns – garments with something interesting about them. I also like shoes.

Who doesn’t! A magpie’s love of all thinks sparkly is something else Rosebud has in common with SNAP. This is Rosebud’s first appearance on the pages of SNAP – thanks so much for coming aboard!


Three Colours

One of the most striking and classic colour combinations you will find (apart form black and white) is blue, white and red. They are the easiest, most failsafe colours to match too – any shades will work – and provided whatever you choose to put next to your face suits your complexion, you cannot fail to look great.

Undoubtedly, these colours simply look wonderful together, but where does this notion of classicism rise from?

Arguably, the strongest connection of this trio is to patriotism – the French tricolour and the American flag immediately spring to mind – but did you know that 35 flags of the world utilise these three colours? Quite a number of them feature stars (or at least one star) and stripes too, and if you can consider the Union Jack a little evocative of stripey-ness, then both the Australian and New Zealand flags could also be described as starry and stripey. These colours are eye-catching from a distance, which is why they are used in flags.

Of course this colour combination is also associated with the nautical look, a perennial favourite with the fashion industry. The nautical look links to the navy (it’s called that for a reason) and inevitably back to stars, stripes, uniforms and national colours.

Could anything be more American x nautical than Tommy Hilfiger’s look? Spring/Summer 13A casual nautical look perfect for boatingCrisp white and red and a sea breeze (click through for more fresh fashion inspiration)Blue and red are contrasting primary colours. Throw white and stripes into the mix and suddenly there are dozens of possibilities to create a strong, graphic look. While light blues will certainly look great with red, if you are trying to create a nautical flavour, stick to medium and dark shades of blue. Go full steam ahead with cooler shades of these colours to evoke the nautical theme.

But if you are not after a nautical theme? Steer clear of stripes and silver or gold buttons (not to mention epaulets!), and try out a warm tomato red instead. Or throw some different patterns into the mix, such as polka dots or other geometrics, like this enlarged ikat print in white and two shades of blue, or a floral print.


Blue is the world’s most popular colour, according to recent polls. It is associated with the sky, sea, ice, cold and sadness, and more abstractedly with harmony, faithfulness and confidence. Perhaps these latter notions are associated with the history of the colour’s common usage, namely with military uniforms and worker’s denim overalls (security, loyalty) and blue suits (solid and successful businessmen).

Vintage sailor inspired fashion from a 1958 Sears catalogueAdorable sweater from YumiLOVE Charlotte Olympia’s Plain Sailing pumps!The Egyptians associated blue with the sky and divinity, and protection from evil. In Africa and Asia blue dye was made from lapis lazuli or azurite, and the cost of importing it was so high that the Egyptians created their own blue pigment by grinding silica, lime, copper and alkalai and heating it to 800–900°C. Known as Egyptian Blue, it is considered the first synthetic pigment. They used it to paint wood, papyrus and canvas, as well as a glaze in faience. In the 9th century, Chinese artisans used cobalt to create the famous blue and white porcelain, which sparked a craze for Chinoiserie when it was first imported to Europe in the 14th century.

the dandy Beau Brummell made the blue suit ubiquitous eveningwear for men in the Regency period

In the Middle Ages, blue was a cheap dye made from woad, and it was not worn by the upper classes, who favoured red and purple instead. It was not until Louis IX of France began wearing all blue that it became popular with the elite of Europe. Centuries later, the dandy Beau Brummell made the blue suit ubiquitous eveningwear for men in the Regency period, long before the black tuxedo of the twentieth century. While black suits were de rigeur for late 19th century businessmen, blue or grey suits became a more popular choice in the 20th century.


Indigo cake – the larger piece measures 2cmOriginally, indigo was a natural dye extracted from plants, although today nearly all commercial dye is produced synthetically. It is one of the oldest dyes to be used in textiles, and India is considered to be the oldest centre of indigo dyeing, supplying indigo to Europe as early as the Greco-Roman era (332 BC–AD 395). Such a strong association to the blue dye did India have, that it gave its name to the colour: indigo comes from the Greek word for dye, indikón, meaning Indian. The Romans latinised it to indicum, which passed into Italian, then finally the English indigo.

The leaves of the tropical plant, indigofera, were soaked in water and fermented; the resultant liquid was mixed with lye, pressed into cakes, dried and then powdered. The powder was mixed with other various substances to produce differing shades of blue and purple.

Indigo is commonly used to dye cotton cloth, and smaller amounts are used to dye silk and wool. Perhaps the most famous use of indigo is in denim jeans, invented by Levi Strauss and Jacob Davis in 1873. A much older antecedent however is the navy blue of military uniforms – contrasted with white – that were first created for the British Royal Navy in 1748. Other navies around the world subsequently adopted the use of the colour too.

Perhaps the most famous use of indigo is in denim jeans, invented by Levi Strauss and Jacob Davis in 1873.

The first synthesis of indigo was created in 1878 by a German chemist, and the second two years later. By 1897 a commercially feasible manufacturing process was in use, and the production of natural indigo dropped. In 1897, 19,000 tons of indigo was made from plant sources; in 2002 17,000 tons of synthetic indigo was produced globally.


Woad (click through for a story on Nudie Jean’s woad-dyed collection)Anything so rare is always prized, and owing to the expense and difficulties of importing the dye to Europe, indigo was referred to as Blue Gold. Throughout the Middle Ages, indigo remained an uncommon – and therefore expensive – commodity in Europe, and woad was used instead. Often associated with the Picts who painted and tattooed their bodies with it, the use of woad in fact goes as far back as the ancient Egyptians, who, among other things, dyed the cloth wrappings applied to their mummies.

Woad is a dye chemically identical to indigo, and is also derived from a plant base. After the Portuguese discovered a sea route to India, the indigo trade eased, but France and Germany outlawed imported indigo in the 16th century to protect the local woad dye industry.


Red has many connotations, some positive and some negative. It is associated with passion, beauty, happiness and good luck, as well as more ominous notions of danger, fire, anger, prostitution and warning. It is the colour of blood, rubies – and the fruit that tempted Adam and Eve in the Garden of Eden is commonly depicted as red (scholars argue variously it could have been an apple, pomegranate, pear or fig, among others).

In many languages, the word for the colour is defined by its likeness to blood; in Russian the word for red has its origins in the Slavic word meaning beautiful, while the modern Portuguese comes from the Latin word for little worm!

in Russian the word for red has its origins in the Slavic word meaning beautiful

In ancient Egypt the colour red was connected with life, health and victory. The Byzantine emperors used red banners. Kings, princes and cardinals wore red costumes, for red was a colour that signalled status and wealth. Red is of course an important colour in the Chinese culture: a noble colour, it was a badge of rank and was used not only in clothing, but in imperial architecture too.

During the French Revolution, red became a symbol of liberty, and many revolutionaries wore a red Phyrgian cap, or liberty cap – which were modelled after the caps worn by freed slaves of ancient Rome. Subsequently the colour red became associated with socialism.

Christian Louboutin’s red heelsLouis XIV of France famously wore red heels

Today Christian Louboutin’s shoes are famous for their red heels, but it was the Sun King Louis XIV who, four hundred years ago, wore red heels (and beautiful silk stockings) to show off his gorgeous legs. In 17th century France, red was the colour of power; it was associated with palaces, and Versailles. Some fifty years later, Madame de Pompadour, mistress to the Louis XV, redecorated Versailles from red velvet to her favoured red-coloured stripes and prints in cotton and chintz.


Cochineal (click image and jump through to an interesting story on artisanal dyeing with natural cochineal)Where did red come from? Carmine is a name for a deep shade of red on the cooler side of the colour wheel. It is also a type of acid extracted from a South American and Mexican scale insect called a cochineal. It secretes an acid to deter predation by other insects, but the Aztecs and Mayans discovered they could extract carminic acid from the insect to make a dye. The acid is mixed with aluminium or calcium salts to make carmine dye, also called cochineal. 

After the Spanish conquest of the Aztec Empire, cochineal was exported to Europe, and by the 17th century, as far as India. It was as highly prized as indigo, even being quoted on the London and Amsterdam Commodity Exchanges. The exporters kept its exact source a secret, and the European importers weren’t quite sure if the dried cochineal pellets were a berry, a bug or a mineral. Cochineal became Mexico’s second most important export after silver.

the European importers weren’t quite sure if the dried cochineal pellets were a berry, a bug or a mineral

In the middle of the 19th century, the appearance of the artificial dye alizarin crimson – as well as many others – caused the cochineal trade to drop sharply, causing significant financial shock in Spain as a major industry was virtually extinguished.

The breeding of cochineal insect for use in the modern textile industry continues more for the sake of tradition rather than to satisfy any demand. However, more recently it has become commercially viable again for use in the food, pharmaceutical and cosmetic (mainly for lipstick and rouges) industries, as many artificial dyes have been found to be carcinogenic, though cochineal can cause anaphylactic shock in rare cases.


White is associated with innocence, perfection, cleanliness, lightness, purity and goodness. In ancient Egypt, it was associated with the goddess Isis, while the Roman goddess Vesta was dressed in white robes. For the Romans, the white toga was ubiquitous for ceremonial occasions, which was to inspire the queen of another empire millenia later. 

In the Middle Ages the Christian church adopted it, associating it with the Roman symbolism of purity, sacrifice and virtue. The white unicorn, as a symbol of purity, chastity and grace, was often depicted in tapestries and manuscripts of this era. Able to be captured only by a virgin, the unicorn was often portrayed in the lap of the Virgin Mary. Also in the Middle Ages and the Renaissance, white was worn by widows as a colour of mourning – the complete antithesis of today’s funereal black.

in the Middle Ages and the Renaissance, white was worn by widows as a colour of mourning

The empire line, popularised by the Empress JoséphineDuring the time of the French Revolution, the Empire Style popularised by Josephine, Napoleon Bonaparte’s consort, was modelled after the white dress of ancient Rome. In the centuries following, white became the universal colour of both men and women’s underwear, as well as bed linen, because these items were washed in boiling water, which would cause colours to fade. (When the linen was finally worn out, it was turned into high-quality paper – it is amusing to reflect that some of the drawings hanging in the art galleries of the world might once have swathed someone’s bottom!)

Queen Victoria’s wedding dress

It was Queen Victoria who popularised the white wedding gown in 1840 (although she was not the first royal to have worn it to be married in). Before she wore her modest silk-satin number, bridal gowns could be any colour – probably a bride wore her favourite. Victoria’s choice of white was considered unusual at the time. (Of course other colours are worn in other cultures.) Prior to the Victorian era, black was a popular colour for Scandinavian bride!


Natural fibres are not pure white of course, but rather cream or light brown. To produce white textiles, fabric must be bleached. The most common bleach today is chlorine, first invented in the 18th century, and then peroxide which was invented in 1818, but not used for bleaching until 1882; it did not become commercially viable until the 1930s.

In ancient times, as early as 300 BC, soda ash, prepared from burned seaweed, was used to clean and whiten cloth by the Greeks, Egyptians and Romans. The latter had two words for white, one signifying plain white (albus), and the other brighter white (candidus). A man running for public office in Rome brightened his toga with chalk. It was called a toga candida, the origin of candidate. Candere, meaning to shine, or to be bright, is the source of our words for candle and candid. 

Bleachfield, by Jan Breughel (II), c. 1650

Before the invention of chlorine bleach, cloth was bleached by the whitening action of sun and water, a lengthy process. Fabric was first soaked in a lye solution for days, then ‘bucked’ or washed clean, after which the cloth was laid out in what was known as a bleachfield or croft (an open area of land), and exposed to the sun. The fabric lay on the grass sometimes for weeks at a time. This was repeated five or six times, depending upon the degree of whiteness required, and then the fabric was treated in milk or buttermilk before being bucked and crofted again. The process originated in the Netherlands, but quickly spread throughout Europe. Huge tracts of land were utilised for crofting when it could have been used for farming, but it is testament to how desirable pure white cloth was. 


Today we have few fashion edicts as far as choice of colour. There are trends of course, and Pantone does try to impose a Colour of the Year on the entire world (my natural contrariness makes me immediately wish to repudiate any liking for said colours), but the revolutions in the textile industry over the centuries mean that rich or poor alike can wear whichever colour they like, whenever they like.

The only exceptions (in Western culture at least) being, perhaps, white and black: one shouldn’t wear white to a wedding so as not to upstage the bride (unless you know for a fact she won’t be wearing it!), and it would be considered poor taste to wear anything but a sober colour to a funeral – if not black, then dark grey or some other gloomy shade at least.

So complementary to one another, blue, red and white will always be a festive combination, worn nautical style or otherwise – whether you are a blue-blooded royal princess or just a regular girl-next-door. 


View the gallery for more!

I am so in love with this colour combination I wear it often – check out the Red, White & Striped gallery for inspiration.


What I Actually Wore #0084

Serial #: 0084
Date: 15/08/2012
Weather: 15.5°C
Time Allowed: 10 minutes

This more-is-more outfit that I wore almost a year ago started with the colourful Betty Jackson necklace. It has a nautical feel thanks to the stripes and diamanté-studded skull (sans crossbones) in the centre of the polka-dotted flower. The vintage 40s style top I chose because of the polka dot bow, and because it was navy – an easy match to the necklace. This is one of my favourite jumpers ever, and was given to me by my good friend Rapunzel.

And since I had already gone overboard (pardon the pun) with colour, I added more for good measure. The red 40s calot is worn at a rakish angle, and red stockings blend perfectly into my glittery red Dorothy heels. In addition, the gold coin earrings (my very first purchase from Etsy) look like something lifted from a pirate’s haul, and my ring is in fact a skull and crossbones – I forgot to include that in the detail photo, so you can see it here. Minimalism? Belay that me hearties!


Top: vintage
Skirt: Morrison
Hat: vintage
Betty Jackson
Ring: Betty Jackson
Watch: Lencer
Stockings: The Sock Shop
Shoes: Wittner


Easy Dressing

Celebrating the Roaring Twenties in a Special Series

One of the most distinctive features of flapper dressing is simplicity. Fashion, as all forms of art and design, confirmed to the aesthetics of Art Deco: geometry, elongated lines, elegance. To suit the new, less formal lifestyle that was adopted after WWI, clothing became streamlined, and was characterised by functionality. Women worked, played sports, travelled, and enjoyed dancing.

Susan Lenglen in a sleeveless white silk frock by Patou, 1927. Image from The Twenties in Vogue, by Carolyn Hall (Octopus Books, 1983).Coco Chanel is often cited as the main proponent of the boyish style, but she is only one – albeit possibly the most prominent one – of many female designers who rose to stardom in the 1920s and changed the way women dressed. There was Mme Gerber, Mme Paquin, Jeanne Lanvin, Madeleine Vionnet as well as Coco Chanel; they were followed shortly by Mme Grès, Elsa Schiaparelli, Mlle Carven, and a dozen others. It is a period known for the large number of women designers. They pushed out the old houses of Poiret, Doucet, Drecoll and Doeuillet along with all their Belle Époque extravagances.

(Top left) tourists in Morocco dressed by Jean Patou; (top right) jersey bathing suits and silk bathing sandals; (bottom left) Madam Agnès, the Parisian milliner in Futurist dress and earrings, 1925; (bottom right) Lee Miller in Chanel jersey, hat by Reboux. Images from In Vogue, by Georgina Howell (Condé Nast Books, 1991).Jersey bathing suits. Image from In Vogue, by Georgina Howell (Condé Nast Books, 1991).Golfing attire, early 1920s. Images from The Twenties in Vogue, by Carolyn Hall (Octopus Books, 1983).Sailing attire in Vogue magazine. Image from The Twenties in Vogue, by Carolyn Hall (Octopus Books, 1983).Helen Wills, tennis champion with the eyeshade she always wore, in 1928. Image from The Twenties in Vogue, by Carolyn Hall (Octopus Books, 1983).Clothing was specifically created for sporting activities, which included tennis and golf; there were garments appropriate for motoring or the beach, and for winter sports. The design of these was dictated by the need for freedom of movement, lightness and comfort. At first these were largely utilitarian, but then fashion – and the imagination of the designer – prevailed upon ready-made knitwear, bathing costumes and travel clothes.

The tunic became the most characteristic shape, open at the neck and arms, with the hem above the knees. Bobbed hair was worn straight under the distinctive cloches of the era that were pulled low on the forehead, shadowing the eyes. Shoes were very low-cut, and low-heeled, rarely higher than two inches. Chanel, followed by Jean Patou and Lucien Lelong created the most typical models of this ‘garçonne’ line.

It would take decades and another war before women accepted the restrictions of corsetry again.

Fashion Notes

The striped wool knit by Sonia Rykiel as quickly become a favourite of mine – I love the stripes in their varying widths and the attached tie-scarf. The wool and velvet cloche by Milano is not original to the 1920s, but a 1990s version inspired by the era. The white A-line skirt is by Witchery and the shoes by Wittner. The first time I wore this outfit I was not intentionally trying to evoke the era, but it ultimately inspired this story on relaxed dressing.


They Want You in the Navy


Forward view: 1920s navy straw hat trimmed with velvet piping and pearls, from the Vintage Hat Series

I rarely wear navy. Probably because it has such dull, conservative connotations of business suits and sensible court shoes. That’s not me, you won’t be surprised to hear. Recently though, I’ve discovered a few special pieces that have made me like navy more.

The hue inherited its name from the dark blue and white uniforms worn by officers in the British Royal Navy since 1748. Navies around the world subsequently followed suit. Initially the shade was called marine blue, but close association with the navy soon changed that.

Woman in navy uniform, 1919; vintage 20s military jacket1920s bathing suit and bathing boots(Clockwise from top left) A navy interior; vintage inspired nautical dress; 1920s Remington Monarch typewriterNavy and white was a classic combination for swimsuits in the 1910s and 20s, and of course there is the sailor-inspired dress that will never, ever go out of fashion entirely.

As for my little 1920s hat, I saw it on Etsy and immediately fell in love with it, especially the tiny pearls scattered in an orderly (one could even say military) fashion across the top – they’re like polka dots. Navy is actually part of the winter colour palette (which is me), so I might just fall in line and join the ranks.

Aft view: 1920s navy straw hat trimmed with velvet piping and pearls, from the Vintage Hat Series

Find them at: Vintage photograph from Two Digging Divas; vintage 20s military jacket image sourced from My Fashion Power; framed bathing suit image sourced from Bronson Design; see the bathing boots at Salon of the Dames; navy interior sourced from Daily Design Elixir; Fedora nautical dress still available in some sizes; typewriter seen at Fab.