Fashion and shopping, Melbourne style

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Entries in french (63)

Wednesday
May222019

Did Someone Mention Giant Bows?

Bows are practical, and bows are frivolous. From one’s shoelace, to a pussy-bow blouse, to a multitude of non-functioning bows decorating a ballgown. They just look pretty, especially when they are tied with a luxury fabric. Or they look louche, à la those blouses on the Gucci runway.

My t-shirt is made from cotton and silk chiffon – the sleeves are so delicate and pretty. It is by Bettina Liano, an Australian label that launched in the 1980s and is famous for its denim line. I bought this tee in a thrift store, however, as I did the bow headband for amusement’s sake – I have not actually worn it out.

It is a big bow. Alas it is not quite as big as the giant bow on the Edwardian hat on the cover of Ladies Home Journal that I shared yesterday. I think I would feel more comfortable wearing an enormous bow on a hat than as a headband; or even a scarf tied in a huge bow would fit my style better.

Scroll down for a few bows of the past.

Photo: December 2016

Mon Vignon, Paris, 1860s Bubblegum pink silk two piece, self-fabric bow trim to shoulders and skirt hemLucile afternoon dress, 1917–20Balenciaga, 1951Yves Saint Laurent haute couture, 1983Gucci Fall/Winter 2011-2012
Pussybows at Gucci Fall/Winter 2011-2012

Monday
May132019

Pretty Parisian Gowns

Day suit of linen and cotton, spring-summer 1947, Paquin, Paris couture house; Colette Massignac designer, active 1945–49A few weekends ago I visited the Krystyna Campbell-Pretty Fashion Gift exhibition currently on at the NGV International. I had not known what to expect from the exhibition, and was excited to discover it featured garments spanning over a century, and included a remarkable number of illustrations and photography from fashion journals and periodicals from the early nineteenth century onwards.

Dress and cape of silk, c. 1938, Maisons Agnès-Drecoll, Paris couture house 1931–63It would be hard to pick a favourite, but as always the 30s and 40s are my favourite eras. There was a 1930s yellow gown that delighted me, and a cream 1947 day suit by Paquin that made me gasp and exclaim to my friend, “Now, I would wear that!” We approached one mermaid gown by Maggy Rouff and wondered at the odd angle of the mannequin – until we saw the beribboned back of the dress – amazing!

Evening dress of silk velvet and satin, autumn-winter 1937–38, Maggy Rouff, Paris couture house, Maggy Besançon de Wagner, designer 1896–1971

The exhibition wound throughout several rooms, with garments occasionally intermixed with paintings and industrial design pieces from the gallery’s permanent collection. The only disappointment in this was that quite a few gowns were far above eye level, so one could not examine them closely. There was certainly a lot to take in, and happily it runs for another couple of months, and as entry is free, I shall be returning for another tour.

Click here to see the full gallery.

Detail of a lavishly appliquéd 1920s robe de styleA special issue of winter fashion, 1940s

Sunday
Apr282019

That Gown!

Elsa Schiaparelli, 1939Ah, the 1930s – my most favourite fashion era! It was just so elegant and sophisticated. That’s not to say I don’t appreciate clothes from other eras of course. Last week I stumbled upon – via Pinterest – the Tumblr blog OMG that dress! and spotted some lovely gowns from many eras. Here are a few I swooned over. The striped Schiaparelli is my favourite – I can never go past stripes!

Madeleine Vionnet, 1938-9Jeanne Lanvin, 1937

Monday
Dec102018

The Sweeter Side of Yellow

What’s in a name? I declare, a yellow by any other name is still distilled with sunshine. Some might argue that, more properly, this shade of acid yellow would be described as chartreuse, a shade of green with a yellowish tinge that takes its name from the aromatic French liqueur. Chartreuse is distilled alcohol aged with 130 herbs, plants and flowers, and varies in colour from green to yellow, with the latter variety being milder and sweeter. This hat is definitely on the sweeter side of chartreuse.

This was a hat I spotted on Etsy and drooled over for quite some time before I finally succumbed to temptation and bought it from the shop Mel’s Vanity. It is vintage 1940s, and is a kind of elongated boater, trimmed in sumptuous silk ribbon, with roses above and below the brims. Yes, brims plural. I love that it has four layers! I have never seen such an extravagant feature in any hat before.

There is also the remnants of a very beautiful taupe-coloured, patterned silk veil which is unfortunately very deteriorated. This is the main reason I have not yet worn the hat out – that, and the fact the hat arrived in the winter, which clearly meant it had to await warm weather. But I haven’t yet discovered any replacement netting of equal beauty, and I can’t bring myself to snip off the existing remnants. Maybe I will just wear it tucked up.

The hat has two small combs inside which are obviously meant to fix it to an up-do, and in the 40s it was probably worn atop a victory roll, and tilted forward. Unfortunately achieving that effect is impossible with my short hair. Regardless, it looks so pretty, and different from every angle, which you can see in the pictures below – I particularly love the bow under the brim at the back. Bring on the sunshine!

Click image for larger version

Photos: October 2018

Tuesday
Dec042018

When Silver Louboutins Are Not Enough

It is seldom indeed that one might declare, “Silver Louboutins are not enough on their own!” But it might be at the height of the silly season, n’est pas?

When this occasion arises once a year, may I propose a pair of vintage 60s silver crystal shoe clips to remedy this untoward situation? Shaped like snowballs, pom-poms or what-you-will, these articulated beaded clips will shake merrily all the way to the party.

I found mine in a thrift store, but there are plenty to be found on Etsy new and old to delight the festive spirit. Start decking out those party feet now!