Fashion and shopping, Melbourne style

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Entries in 1950s (96)

Monday
May272019

Sweater Clips DIY

I have always wanted a pair of sweater clips, for those times you want to draw your cardigan close, but not button it up, or for those garments that do not have closures, such as vintage 50s outerwear. I’ve searched in thrift stores to no avail, for they are an item one just does not see in Australia. Maybe they simply were never a popular fashion accessory here. I have searched online of course, but with such high shipping costs (when buying from America in particular), they became ridiculously expensive.

So I decided to make my own. First I found a pair of giant 1980s pearl clip on earrings. Then I scoured op shops for a suitable chain. And I waited patiently. And I scoured some more. Finally I found a gold necklace that had a more interesting chain than the usual link. I already had some suitable gold findings from a previous repair, and at last I set to work with some jewellery tools.

I’m really pleased with the result. It’s been a very mild autumn in Melbourne and I’ve yet to break out my vintage cardigans, so I am looking forward to using the clips now that the weather is finally becoming cooler.

Wednesday
May222019

Did Someone Mention Giant Bows?

Bows are practical, and bows are frivolous. From one’s shoelace, to a pussy-bow blouse, to a multitude of non-functioning bows decorating a ballgown. They just look pretty, especially when they are tied with a luxury fabric. Or they look louche, à la those blouses on the Gucci runway.

My t-shirt is made from cotton and silk chiffon – the sleeves are so delicate and pretty. It is by Bettina Liano, an Australian label that launched in the 1980s and is famous for its denim line. I bought this tee in a thrift store, however, as I did the bow headband for amusement’s sake – I have not actually worn it out.

It is a big bow. Alas it is not quite as big as the giant bow on the Edwardian hat on the cover of Ladies Home Journal that I shared yesterday. I think I would feel more comfortable wearing an enormous bow on a hat than as a headband; or even a scarf tied in a huge bow would fit my style better.

Scroll down for a few bows of the past.

Photo: December 2016

Mon Vignon, Paris, 1860s Bubblegum pink silk two piece, self-fabric bow trim to shoulders and skirt hemLucile afternoon dress, 1917–20Balenciaga, 1951Yves Saint Laurent haute couture, 1983Gucci Fall/Winter 2011-2012
Pussybows at Gucci Fall/Winter 2011-2012

Monday
Apr292019

Bags for Every Day

In modern life, a small handbag is not very practical for day-to-day activities. It is a sure indicator of a leisure occasion, when only the essentials required: perhaps a lipstick, a purse (or loose money or card at least), tissues, a phone.

When I am at work I always like to go out at lunchtime to run errands, or shop, or merely for some air. I don’t like to lug my large work tote with me, so I always bring a small handbag everyday as well. I make an effort to change them daily to match my outfit.

It’s a challenge sometimes, simply because I am always in a hurry dressing in the mornings. I tend to rely on a small selection of practical bags that are easily accessible because they are in regular rotation.

Here is a small selection of vintage and antique handbags that belong in my collection. All of these are woven from a different material, and they were all found in thrift stores. These are bags that are more special, and less practical for day-to-day use, and they are all indicative of an age when women perhaps did not work, and did not feel compelled to lug around her entire life with her every day. Incidentally, nearly all of these would fit that crucial modern-day item, the phone!

The little hat-shaped bag of straw and velvet trim is a particular favourite. When I bought it, one of the staff in the store, a Frenchwoman, told me the bag was antique, and was a specialty from a particular town in France (stupidly I neglected to ask her for details). I’m not sure of its age, but the looped handle suggests 1930s or earlier. The straw is quite soft to touch, and more intricately woven than one generally sees today.

The other rather singular bag is crocheted from silk, and is likely Edwardian. It’s very finely crocheted, delicate, and in pristine condition, and as with the straw hat, I am scared to use it for fear of ruining its shape! Its style is reminiscent of a reticule, a kind of pouch bag that was carried by women during the Regency period (1795–1820), many of which were home-made. 

And though the 70s jute bag is nowhere near as old, it too is fragile. I did carry this a lot as a summer lunchtime bag, and all that carting about has made some of the strings fray – it is in retirement now.

More sturdy are the mid-century structured bags, one of smoke-grey beads, and the other of raffia in robin’s egg blue (one of my favourite colours).

When I bought it, it was filthy and horrid to touch, but that is another shade of blue I love so I was sold. 

The periwinkle blue nylon crocheted bag is practically indestructible, however. When I bought it, it was filthy and horrid to touch, but that is another shade of blue I love so I was sold. A good soak worked wonders. I also changed the original translucent white plastic handles to vintage bamboo handles – after I found another unworthy handbag in a thrift store and butchered it!

Recently I realised I was very boringly carrying the same red handbag nearly every workday, so I have recently been making much more effort to dip into my large handbag collection daily. It’s madness to collect them and never use them, after all, and it makes dressing much more fun.

Photos: March 2018

Tuesday
Apr232019

The History of the Easter Bonnet

1940sIn Australia there is no tradition of wearing Easter Bonnets, except for young school children making their own hats in the classroom and parading them for the benefit of their local community.

As you could imagine, these chapeaux were generally a horribly kitsch conglomeration of brightly coloured eggs, bunnies, and chicks that are rendered charming only by the knowledge that someone’s cute offspring had earnestly and excitedly stapled it together.

So I was most amused to discover that adults were equally adept at assembling hideous Easter bonnets – albeit with more skill and imagination – to parade at Eastertime in America.

1940sMorecambe UK, 1959

The famous Easter Parades had their origin in the 1870s, when people would stream out of churches following the Easter Sunday service, dressed, of course, in their very best. Naturally a magnificent hat topped their ensembles. The very first parade along Fifth Avenue seems to have been an impromptu event, as the upper echelons of New York society poured out of St Patricks Cathedral and strolled up the street. With each successive year, the Parade became more popular and drew hundreds and thousands of spectators.

Easter Parade New York, 1922Easter Parade New York, 1922Prince George and Jane Erdmann, Easter Parade New York, 1933Dean Martin and Jerry Lewis, 1948Early on, people simply showed off their most stylish and newest spring garments, but as the parade grew in popularity, grandiose themed pastiches began to appear – similar to the kind of hideous hats sensation-hunting women sport at various racing carnivals around the world.

1920sOn the other hand, Easter was an opportunity for more aesthetically-pleasing fun: Easter bunny hats or complete outfits. Personally I would prefer to don a pair of rabbit ears than crates of eggs precariously balanced on my head!

For a more detailed history of the Easter Bonnet, visit The Eternal Hedonist; and visit Today for a slideshow of more vintage images of the Easters of Yesteryear.

1920s (my favourite)1940sActress Ruth Roman, 1940sA modern bunny ears rendition

(Imgages from The Eternal Hedonist, Today, Daily Mail UK and Pinterest)

Monday
Apr152019

New Jools

I am a sucker for jewellery – or in the case of costume jewellery, ‘jools’ – of all kinds, but especially for necklaces. Nearly all my jewellery is vintage or secondhand. Most of it was found in op shops and cost very little, which is why I don’t feel too guilty for my self-indulgence.

Of this selection of necklaces bought in thrift stores in recent months, only three of them are genuine vintage – a chain of white rhinestones, the twisted strand of pink seed beads that resembles a Twizzler, and the white milk glass bead necklace – but all of them are fun. I especially love the giant silvery bauble necklace which looks quite 60s-space-age-inspired.

And considering the embarrassingly large quantity of jools I own, I am quite pleased to reflect that I have worn nearly all of these at least once!