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Entries in 1940s (102)


What I Actually Wore #0001

Serial #: 0001
Date: 25/09/2008
Weather: sunny, 24°C
Time Allowed: 5 mins

Knowing that today’s temperature was forecast at 24° and time being a factor, I speedily decided this morning that a dress was in order. Fortunately my wardrobe is organised (by item, colour etc) so I was able to quickly grab this dress from the rail. It is completely sheer so a full slip is imperative. I don’t have many transparent dresses, so I hang the dark blue slip with it, which makes it easy to find rather than wrestling through a lingerie drawer every time I want it. [On a side note, the dress originally came with a slip sewn in, but it was very poor quality and developed runs after a few wears. I unpicked the stitching and discarded it. Although I originally intended to dye a plain white slip, I was lucky enough to find a blue vintage one with pretty design details.]

I bought the dress from a quaint vintage boutique on Greville St (the last survivor) last summer on a whim. It was inexpensive, and the colour looks great on me, although I was dubious about the style – bit girlier than I ordinarily go for. The dress had also come with its own matching patent vinyl belt, which I immediately discarded. I have since found a cobalt blue leather belt (thanks David Jones stock-take sale!), but this morning chose to wear it with a tan leather belt and suede sling-backs as I didn’t want to go overboard with cobalt – I also own two different pairs of cobalt suede shoes! (I deliberately did not wear the belt over the cardigan, as the latter is too short for that look to work.)

TIP: Hang your full slips with the dresses you normally wear them with to save time in the morning.

I briefly toyed with the idea of wearing my beautiful, oatmeal-coloured linen coat that my sister had made for me from a Montana Vogue pattern. I decided I would be far too warm in it, and with about 30 seconds to contemplate the options I grabbed this cardigan as it was nearest to hand.

Bit too much blue, I thought in the rush to leave, but at least I hadn’t also gone for the blue belt and shoes – that would have been ridiculous!

I’ll call it a forties-inspired look. I generally don’t like to mimic any particular era, but the outfit has the virtue of not being black at least, on such a lovely spring day!


Dress: Lovelygirl
Cardigan: Cotton-on
Belt: Country Road
Shoes: Urban Soul
Watch: Kenneth Cole
Earrings: hand-made by myself from Indian beads and sterling silver
Sunglasses: Roc


A good hat is (not) hard to find

Hats – as we all know – were once, along with gloves and stockings de rigueur on any trip from home. Such accessories added a certain level of interest to a woman’s outfit that sadly few of us take advantage of these days, except perhaps out of practicality in the blaze of summer or the depths of Melbourne’s arctic winters.

I’m certainly not suggesting a return to the days when one was obliged to follow society’s sartorial decrees or be branded a brazen hussy – like poor Jean Shrimpton at the Melbourne Cup in 1965. With the Spring Racing Carnival galloping into view however, could we regain a sense of adventure; a little modish bravery? Or, dare I say, return to elegance?

Flocks of women will undoubtedly descend upon Cleggs, or Lincraft to take advantage of the sudden influx of plain straw hats, bedeck them with multi-coloured ribbons and feathers galore. And God save me from seeing yet another excuse for a hat: the ubiquitous fascinator!

Yet all these creations have a sad commonness about them: at the one time of year when many women feel confident enough to wear a hat, few stand out as originals.

It’s true spectacular hats are expensive. They’re locked safely behind glass like birds of paradise, in department stores and exclusive boutiques alike, and bespoke hats are beyond the reach of most women (including myself). Occasionally however, one can get lucky wandering amongst the hat stands in David Jones. Vintage shopping also offers brilliant opportunities to score an original piece: at markets, op-shops or vintage emporiums such as Chapel Street Bazaar; eBay is also a fantastic source. This is where often you will find quality at a price that won't make you wince.

“Oh, hats just don’t seem to suit me!” is another disclaimer I’ve heard many times. The truth is, hats work on the same principle as hairstyles: different ones work with different face shapes – one just needs to find which suit. Most importantly – and this is often overlooked – one’s hairstyle needs to work with the hat, not against it! Many hats look terrible with long hair casually worn down; hair and hat fight one another for attention, and then nobody wins.

So no more excuses: scroll down and take some inspiration from the pages of Vogue

Hat, 1946 (uncredited), from In Vogue, Georgina Howell, Condé Nast Books, 1991. Photo: Horst P. Horst


‘Paris night looks – needed in London’, British Vogue, January 1947. Photos: Coffin

British Vogue, June 1960. Photo: Uncredited


British Vogue, June 1960. Photo: Henry Clarke


British Vogue, June 1960. Photo: Rutledge

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