One of my most-loved films from the 80s is Ridley Scott’s Blade Runner. I have a fondness for sci-fi, and it still remains one of the best, and probably always will. Sean Young’s costumes in the film are fabulous: an 80s take on the 1940s, one of my favourite eras for fashion. There are exaggerated shoulders and wasp waists galore. Filmmakers are rather fond of this 40s noir look for futuristic thrillers, and it does work deliciously.
I love in the film how Rachael starts off so very straight-laced, with precision makeup, and by the end as her world entirely unravels, her hair (previously lacquered smooth) is in a riot of fuzzy curls, and her eye makeup is smudged.
In the scene where Rachael ventures onto the mean streets and shoots Deckard’s would-be attacker, she wears an enormous fur coat with a collar that envelops her and shields her from the clammy air. That huge collar has always put me in mind of Elizabethan collars, although the fabrics used could not be more different.
This Zara puffa bolero, when its shawl collar is flipped up has also always reminded me of the same Elizabethan craze for face-framing collars. The dress – which you can’t see at all – is a vintage 1970s-does-40s black crepe. My diamante earrings are actually vintage 40s.